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Ron Carter (1937)
Summary
Ron Carter is an American jazz double-bassist. His appearances on over 2,500 albums make him one of the most-recorded bassists in jazz history, along with Milt Hinton, Ray Brown and Leroy Vinnegar. Carter is also an acclaimed cellist who has recorded numerous times on that instrument.
Biography
Carter was born in Ferndale, Michigan. He started to play cello at the age of 10, but when his family moved to Detroit, he ran into difficulties regarding the racial stereotyping of classical musicians and instead moved to bass. He attended the historic Cass Technical High School in Detroit, and, later, the Eastman School of Music, where he played in its Philharmonic Orchestra. He gained his bachelor's degree at Eastman in 1959, and in 1961 a master's degree in double bass performance from the Manhattan School of Music.
His first jobs as a jazz musician were with Jaki Byard and Chico Hamilton. His first records were made with Eric Dolphy (another former member of Hamilton's group) and Don Ellis, in 1960. His own first date as leader, Where?, with Dolphy and Mal Waldron and a date also with Dolphy called Out There with George Duvivier and Roy Haynes and Carter on cello; its advanced harmonies and concepts were in step with the third stream movement.
Carter came to fame via the second great Miles Davis quintet in the early 1960s, which also included Herbie Hancock, Wayne Shorter and Tony Williams. Carter joined Davis's group in 1963, appearing on the album Seven Steps to Heaven and the follow-up E.S.P., the latter being the first album to feature only the full quintet. It also featured three of Carter's compositions (the only time he contributed compositions to Davis's group). He stayed with Davis until 1968 , and participated in a couple of studio sessions with Davis in 1969 and 1970. Although he played electric bass occasionally during this period, he has subsequently eschewed that instrument entirely, and now plays only acoustic bass. Carter was close to Davis and even revealed to an interviewer in 1966 that the famous trumpeter's favorite color was fuchsia.
Carter also performed on some of Hancock, Williams and Shorter's recordings during the sixties for Blue Note Records. He was a sideman on many Blue Note recordings of the era, playing with Sam Rivers, Freddie Hubbard, Duke Pearson, Lee Morgan, McCoy Tyner, Andrew Hill, Horace Silver and others.
After leaving Davis, Carter was for several years a mainstay of CTI Records, making albums under his own name and also appearing on many of the label's records with a diverse range of other musicians. Notable musical partnerships in the 70's and 80's included Joe Henderson, Houston Person, Hank Jones, and Cedar Walton. During the 1970s he was a member of the New York Jazz Quartet.
He appears on the alternative hip-hop group A Tribe Called Quest's influential album The Low End Theory on a track called "Verses from the Abstract". He also appears as a member of the jazz combo the Classical Jazz Quartet.
In 1994, Carter appeared on the Red Hot Organization's compilation album, Stolen Moments: Red Hot + Cool. The album, meant to raise awareness and funds in support of the AIDS epidemic in relation to the African American community, was heralded as "Album of the Year" by Time Magazine. In 2001, Carter collaborated with Black Star and John Patton to record "Money Jungle" for the Red Hot Organization's compilation album, Red Hot + Indigo, a tribute to Duke Ellington.
Carter was Distinguished Professor Emeritus of the Music Department of The City College of New York, having taught there for twenty years, and received an honorary Doctorate from the Berklee College of Music, in Spring 2004. He joined the faculty of the Juilliard School in New York City in 2008, teaching bass in the school's Jazz Studies program.
Carter made a notable appearance in Robert Altman's 1996 film Kansas City. The end credits feature him and fellow bassist Christian McBride duetting on "Solitude".
Ron Carter sits on the Advisory Committee of the Board of Directors of The Jazz Foundation of America as well as the Honorary Founder's Committee. Ron has worked with the Jazz Foundation since its inception to save the homes and the lives of America's elderly jazz and blues musicians including musicians that survived Hurricane Katrina.
Carter appeared as himself in an episode of the HBO series Treme entitled "What Is New Orleans."
- 2010
- 1986
- Studio album
Peg Leg
6 tracks
00:40
1978Third Plane
5 tracks
39:40
1977
Name | Duration | Released |
---|---|---|
Peg Leg | 08:08 | 1978 |
Patchouli | 07:06 | 1978 |
My Ship | 05:10 | 1978 |
Epistrophy | 07:33 | 1978 |
Chapter XI | 05:41 | 1978 |
Sheila's Song | 06:14 | 1978 |
Lawra | 06:08 | 1977 |
Quiet Times | 07:52 | 1977 |
Third Plane | 05:53 | 1977 |
United Blues | 03:01 | 1977 |
Stella by Starlight | 08:26 | 1977 |
Movie
- Sound/Music
Desperate Characters
Sound designer
1971A Gathering of Old Men
Composer
1987La Passion Béatrice
Composer
1987A Gathering of Old Men
Composer
1987One Night with Blue Note
Composer
1985
Album
- Production
A Tribute to Miles
Record producer
1994Peg Leg
Record producer
1978
Music track
So What
Record producer
1994RJ
Record producer
1994Pinocchio
Record producer
1994Elegy
Record producer
1994All Blues
Record producer
1994Patchouli
Record producer
1978Peg Leg
Record producer
1978Sheila's Song
Record producer
1978Chapter XI
Record producer
1978Epistrophy
Record producer
1978My Ship
Record producer
1978
Videos
User reviews
Sources
Whole or part of the information contained in this card come from the Wikipedia article "Ron Carter", licensed under CC-BY-SA full list of contributors here.